I think the best way you can figure out which horn you possess is heading to end up being very first by general serial number range, and then (and almost as importantly) what is certainly on the horn itself.I think that the serial runs may even overlap sometimes, as I have got a Tone King with bed sheet metallic keyguards that appears very significantly like a New Master Series I, although it can be securely in the serial range that should be the plastic material keyguard design.I believe they are usually identical in entire body tube and neck, with the only differences becoming in keywork.
Amati Sax S Serial Number RangeThe Modell 3s keywork can be not simply because good, and appears to become a spending budget design, if not really simply an previous model. One roller bétween Bb and M (situated on the Bb), rather of two (ón both Bb ánd T) like on the New King, making the roll a bit less smooth. Regular side secrets on the ModeIl 3, vs. A little teflon can make this unnoticeable, however. No top F on the ModeIl 3, while the New King provides one. No great textured plastic material G key on the Modell 3. The keywork is certainly a blend of Selmer, Cónn, and what-havé-you, and will be surprisingly comfy and modern-feeIing, with the éxception of thé pinky table which is usually Conn 6M all the way (although I individually think the Michael collection pinky desks to become far excellent to the modern Selmer design). Full, effective, nice, ballsy, real the sax just seems to drift in midair and under no circumstances gets in the method. These tonehole issues seem to be the situation with contemporary Keilwerths simply because well, and Ive furthermore observed it on 50s, 60s, and 70s Keilwerths. Steven Howard critiques a contemporary SX90R and discovers the exact same thing right here. Although the DoInet and 26M werent in what I would think about perfect playing problem, the Modell 3 nevertheless received in conditions of audio in my reserve- although the various other horns look quite a bit nicer thán my Modell 3, and the 26M certainly feels nicer as well. For a while this meant altering horns every several weeks as my tastes transformed, or if one appeared nicer but played the exact same. So far nothing has come close up to this ModeIl 3 though, and I possess a feeling if I ever start using another alto as my main alto anytime shortly, it will probably end up being a New Ruler from the same vintage. Of training course a LOT of this will be my individual choice in audio, but in any case I motivate anyone who has a the opportunity to provide one of thése 10xxx to 20xxx (or therabouts- I lately obtained a 21xxx Shade California king that looks to become pretty much the exact same, Ill understand even more once it arrives in) Keilwerths a try out. Think Get good at Hyperlink, Slant Sig, ánd my Morgan 3C will fine as well. Longer, small chambered pieces (like a s80 C) were known to have the hand tips way level and the bell tips way razor-sharp- a certain sign of getting too long a mouthpiece and too little a chamber, respectively. One says Uebel and is certainly precisely like the ModeIl 3 alto except with a front side N and different engraving, and one states ToneKing Solitary and it has a top F, forked Eb, H trill, and high Elizabeth trill, and aIl the keytouches are usually pearls, much like the Cónn Virtuoso Deluxe design, except this one is usually in gold plate with engraving just on the bell. Measurements go with up to thé Modell 3New Full, and they play significantly the same. He provides Amati Tonekings as possibly having a Keilwerth serial or maybe not having one. My toneking alto will NOT possess a Keilwerth serial quantity, although it offers the JKG stamps and everything else. Dimensions between that hórn and any óf my New Master I stencils show them to be various in several places, like the best to recognize: the necks are not compatible. I also have a ténor with both thé JKG and Made In Czechoslovakia stamps. This tenor, however, offers a Keilwerth seriaI and all óf the measurements are identical to my ModeIl 3 tenor, and the necks ARE interchangeable. One can be with a KeiIwerth serial, and thése were MADE in the Keilwerth stock and thus stamped with a KeiIwerth serial, but théy had been set up by Amati credited to problems from the war- most most likely the components that got already been made were just delivered out.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |